Alright, buckle up, ’cause I’m about to walk you through my little “derek kaplan art” adventure. It was a bit of a wild ride, not gonna lie.

First off, I stumbled upon Derek Kaplan’s work online, right? I was immediately hooked by his style – super vibrant colors, bold strokes, and just a general sense of playful energy. I thought, “Hey, I wanna try something like that!” So, I decided to dive in headfirst.
The Prep Work: Of course, before I could even think about slapping paint on anything, I had to gather my supplies. I raided my art stash (which is, admittedly, a bit of a mess) and pulled out some acrylic paints. Kaplan’s work seemed to have a lot of texture, so I grabbed a few palette knives, some heavy-duty paper, and a couple of canvases I had lying around. Oh, and a whole lotta rags ’cause I knew things were gonna get messy!
Attempt Number One: The Disasterpiece I started with a canvas. I figured, “Go big or go home,” right? I picked a Kaplan piece I really liked – a colorful abstract landscape – and tried to replicate the general feel. I started by layering on some background colors, but already things were going south. My colors were muddy, my brushstrokes were weak, and the whole thing looked…well, like a toddler had attacked it with finger paints. I tried to salvage it, adding more paint, scraping some off, but nothing worked. It was a total fail. I almost gave up right then and there.
Back to the Drawing Board (Literally): Instead of throwing my brushes out the window, I took a deep breath and decided to scale things back. I grabbed some of the heavy paper and tried to mimic some smaller sections of Kaplan’s paintings. I focused on individual color combinations, the way he layered the paint, and the texture he created with the palette knife. This time, things went a little better. I was still a far cry from Kaplan’s level, but I was starting to understand his techniques a bit better.
- I practiced making thick, impasto-like strokes with the palette knife.
- I experimented with different color combinations to see how they interacted.
- I tried to create depth by layering colors and textures.
The Breakthrough (Kind Of)
After a few more practice runs, I decided to give the canvas another shot. This time, I had a clearer idea of what I wanted to do. I started with a simple underpainting, using lighter colors to create a base layer. Then, I slowly built up the painting, adding more layers of color and texture. I focused on creating movement and energy with my brushstrokes, and I used the palette knife to add some really thick, chunky areas of paint.

The Final Result: Was it a masterpiece? Nope. Did it look exactly like a Derek Kaplan painting? Definitely not. But I was actually pretty happy with how it turned out. It captured some of the energy and playfulness of Kaplan’s work, and I learned a ton in the process. Plus, it was just plain fun to experiment with different colors and textures.
What I Learned: The biggest takeaway from this whole experience was that art is all about experimentation and practice. You can’t expect to create a masterpiece on your first try (or even your tenth!). The key is to keep experimenting, keep learning, and keep having fun. And who knows, maybe one day I’ll actually create something that looks halfway decent. Until then, I’ll just keep slinging paint and making a mess.